A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.

Two brothers – one virtuous, one feckless – are in love with the same woman. She falls for Brother Wrong, carrying a torch for him even after he deserts her. But Brother Right remains steadfast and available. What’s unusual here is why the bad brother pulls his disappearing act. Mark walks out on wife Dianne after learning that the baby they’re expecting has severe genetic abnormalities. Dianne is nonetheless determined to bear her child, with support from her mother and Mark’s brother David, a pediatrician whose love for Dianne is unspoken but obvious. How do they cope with the challenges of raising this little girl named Julia?

Haas is an 18-year-old girl who was raised by her father in the rural Midwest. When her father suddenly dies, she must carry out his wish to be buried in the town where he was born. There, she meets a young man named Will, a lonely, creative soul who is working to support his family back home. The two of them form a friendship that challenges both of their understandings of love and loss.

When the quiet life of a beach bum is upended by dreadful news, he sets off for his childhood home to carry out an act of vengeance.

Far away from the civilized world, in the deep isolation of the lonely backwoods, Carl Henry Jessup spends his days in twisted contemplation and hazy reverie of the good old days. His contempt for outsiders keeps him close to his hillbilly family home. Carrying on the family business, Carl keeps an eye out for Grade A meat.

Journey to the edge of Brooklyn and of street performance itself in this sparkling portrait of the freeing power of art. Reem is the savvy promoter, Flizzo the undefeated local legend, Jay Donn the innovator with the talent to carry him far away from home. Uniting them is a competitive dance form of dramatic contortions, simulated violence, flowing footsteps and the occasional humorous touch. Welcome to the world of Flex.

A personal documentary about a public subject, My Father’s Vietnam personifies the connections made and unmade by the Vietnam War. Featuring never-before-seen photographs and 8mm footage of the era, My Father’s Vietnam is the story of three soldiers, only one of whom returned home alive. Interviews with the filmmaker’s Vietnam Veteran father, and the friends and family members of two men he served with who were killed there, give voice to individuals who continue to silently carry the psychological burdens of a war that ended over 40 years ago. My Father’s Vietnam carries with it the potential to encourage audiences to broach the subjects of service and sacrifice with the veterans in their lives.

A man must return home to rural Kentucky where he and his family, fragmented and haunted, still carry the stigma of a murder his brother committed 20 years ago.

In this tense thriller, Ma Shan (Wen Jiang) is a Chinese police detective who awakes one morning after a night of heavy drinking at his sister’s wedding reception to discover that his gun has been stolen. Since only police officers are allowed to carry firearms, Ma Shan is alarmed about the deadly possibilities of the theft, and he sets out to find his weapon; however, the memories of Ma Shan’s friends are as hazy as his own regarding the wedding, and no one can tell who drove him home. The situation comes to a head when Ma Shan’s former girlfriend arrives in town for a visit and is soon found shot dead with the bullets matching those used in his gun.

In a remote forest, Astrophysicist Dr. Adam Gaines and his homemade robotic assistant Jimbot recover a 3.5 billion year old meteorite containing an alien organism that may hold the secrets to the universe. What they don’t realize is that a mysterious terrorist named Gremlo Flugg and his band of “Fluggmen” also seek the ancient contents of the meteorite so they can carry out their sinister plans to take over planet Earth.

1865, the American Civil War has just ended. The last remaining members of a now destitute Southern family journey to California. The guilt and scars they carry from the war are deeper and more painful than the loss of their family fortune and home. The war is over, but the battle to survive has just begun, they are in search of a new life, a new fortune, a new world and something else that they do not yet understand, the redemption of their very souls. Written by Joseph Paul Stachura

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

A ship carrying settlers to a new home in Mars after Earth is rendered uninhabitable is knocked off-course, causing the passengers to consider their place in the universe.